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Atrium (architecture)

Atrium (architecture)

In architecture, an atrium (plural atria) is a large open space, often several stories high and having a glazed roof and/or large windows, often situated within an office building and usually located immediately beyond the main entrance doors. Atria are popular with companies because they give their buildings "a feeling of space and light", but have been criticised by fire inspectors as they could allow fire to spread to a building's upper stories more quickly. The Latin word atrium referred to the open central court, from which the enclosed rooms led off, in the type of large ancient Roman house known as a domus.

References

- pp. 520 Category:Architectural elements Category:Rooms

Architecture

Architecture (in Greek αρχή = start and τέχνη = craftsmanship) is the art and science of designing buildings and structures. A wider definition would include within its scope the design of the total built environment, from the macrolevel of town planning, urban design, and landscape architecture to the microlevel of furniture. furniture, Athens, Greece]] However, the widest definition in modern use refers to the organization, articulation, and interfaces of any built (or To Be Built— TBB) entity, whether a building or a communications' network. That is, an architecture, in its broadest sense, shows how the components of a built or TBB entity fit together. An architecture may be considered a translation between a user's needs and a builder's building instructions, or requirements. The components of an architecture may be already built items, or specified items (items whose building requirements have been completed), or To Be Specified items (items whose building requirements have not yet been been completed, and for which only user or builder needs may be assigned).

Introduction

The skills of the architect are used in complex building types such as the skyscraper, hospital, stadium, airport, etc. to less complicated projects such as commercial and residential buildings and development. Many pieces of architecture can be seen as cultural and political symbols. The role of the architect, though changing, has been central to the successful (and sometimes unsuccessful) design and implementation of the built environment in which we live.

Scope and intentions

According to the very earliest surviving work on the subject, Vitruvius' De architectura, good buildings satisfy three core principles: Firmness, Commodity, and Delight; architecture can be said to be a balance and coordination among these three elements, with none overpowering the others. A modern day definition sees architecture as addressing aesthetic, structural and functional considerations. However, looked at another way, function itself is seen as encompassing all criteria, including aesthetic and psychological ones. Architecture is a multi-disciplinary field, including within its fold mathematics, science, art, technology, social sciences, politics, history, philosophy, and so on. In Vitruvius' words: "Architecture is a science, arising out of many other sciences, and adorned with much and varied learning: by the help of which a judgement is formed of those works which are the result of other arts". He adds that an architect should be well versed in fields such as music, astronomy, etc. Philosophy is a particular favourite; in fact the approach of an architect to their subject is often called their philosophy. Rationalism, empiricism, structuralism, poststructuralism, and phenomenology are some topics from philosophy that have influenced architecture. phenomenology, Italy]] # Translation of firmitatis utilitatis venustatis [http://penelope.uchicago.edu/Thayer/L/Roman/Texts/Vitruvius/home.html] due to Henry Wotton, 1624 [http://www.gardenvisit.com/landscape/LIH/history/vitruvius.htm#ch1-3].

Theory and practice

Architecture and buildings

The difference between architecture and building is a subject matter that has engaged the attention of many. According to Nikolaus Pevsner, European historian of the early 20th century, "A bicycle shed is a building, Lincoln Cathedral is a piece of architecture". In current thinking, the division is not too clear. Bernard Rudofsky's famous Architecture Without Architects consolidated a whole range of structures designed by ordinary people into the realm of architecture. Architecture is also the art of designing the human built environment. Buildings, landscaping, and street designs may be used to impart both functional as well as aesthetic character to a project. Siding and roofing materials and colors may be used to enhance or blend buildings with the environment. Building features such as cornices, gables, entrances, window treatments and borders may be used to soften or enhance portions of a building. Landscaping may be used to create privacy and block direct views from or to a site and enhance buildings with colorful plants and trees. Street side features such as decorative lighting, benches, meandering walkways, and bicycle lanes may enhance a site for passersby, pedestrians, and cyclists.

Architectural history

Architecture first evolved out of the dynamics between needs (shelter, security, worship, etc.) and means (available building materials and attendant skills). Prehistoric and primitive architecture constitute this early stage. As humans progressed and knowledge began to be formalised through oral traditions and practices, architecture evolved into a craft. Here there is first a process of trial and error, and later improvisation or replication of a successful trial. What is termed Vernacular architecture continues to be produced in many parts of the world. Vernacular architecture, India]] Early human settlements were essentially rural. As surplus of production began to occur, rural societies transformed into urban ones and cities began to evolve. In many ancient civilisations such as the Egyptians' and Mesopotamians' architecture and urbanism reflected the constant engagement with the divine and the supernatural. However, the architecture and urbanism of the Classical civilisations such as the Greek and the Roman evolved from more civic ideas and new building types emerged. Architectural styles developed and texts on architecture began to be written. These became canons to be followed in important works, especially religious architecture. Some examples of canons are the works of Vitruvius, the Kaogongji of ancient China and Vaastu Shastra in ancient India. In Europe in the Classical and Medieval periods, buildings were not attributed to specific individual architects who remained anonymous. Guilds were formed by craftsmen to organise their trade. Over time the complexity of buildings and their types increased. General civil construction such as roads and bridges began to be built. Many new building types such as schools, hospitals, and recreational facilities emerged. Islamic architecture has a long and complex history beginning in the 7th century CE. Examples can be found throughout the countries that are, or were, Islamic - from Morocco and Spain to Iran, and Indonesia. Other examples can be found in areas where Muslims are a minority. Islamic architecture includes mosques, madrasas, caravansarais, palaces, and mausolea of this large region. With the Renaissance and its emphasis on the individual and humanity rather than religion, and with all its attendant progress and achievements, a new chapter began. Buildings were ascribed to specific architects - Michaelangelo, Brunelleschi, Leonardo da Vinci - and the cult of the individual had begun. But there was no dividing line between artist, architect and engineer, or any of the related vocations. At this stage, it was still possible for an artist to design a bridge as the level of structural calculations involved were within the scope of the generalist. With the consolidation of knowledge in scientific fields such as engineering and the rise of new materials and technology, the architect began to lose ground on the technical aspects of building. He therefore cornered for himself another playing field - that of aesthetics. There was the rise of the "gentleman architect" who usually dealt with wealthy clients and concentrated predominantly on visual qualities derived usually from historical prototypes. In the 19th century Ecole des Beaux Arts in France, the training was toward producing quick sketch schemes involving beautiful drawings without much emphasis on context. France, USA]] Meanwhile, the Industrial Revolution laid open the door for mass consumption and aesthetics started becoming a criterion even for the middle class as ornamented products, once within the province of expensive craftmanship, became cheaper under machine production. Industrial Revolution, India]] The dissatisfaction with such a general situation at the turn of the twentieth century gave rise to many new lines of thought that in architecture served as precursors to Modern Architecture. Notable among these is the Deutscher Werkbund, formed in 1907 to produce better quality machine made objects. The rise of the profession of industrial design is usually placed here. Following this lead, the Bauhaus school, founded in Germany in 1919, consciously rejected history and looked at architecture as a synthesis of art, craft, and technology. When Modern architecture first began to be practiced, it was an avant-garde movement with moral, philosophical, and aesthetic underpinnings. Truth was sought by rejecting history and turning to function as the generator of form. Architects became prominent figures and were termed masters. Later modern architecture moved into the realm of mass production due to its simplicity and economy. However, a reduction in quality of modern architecture was perceived by the general public from the 1960s. Some reasons cited for this are its lack of meaning, sterility, ugliness, uniformity, and psychological effects. The architectural profession responded to this partly by attempting a more populist architecture at the visual level, even if at the expense of sacrificing depth for shallowness, a direction called Postmodernism. Robert Venturi's contention that a "decorated shed" (an ordinary building which is functionally designed inside and embellished on the outside) was better than a "duck" (a building in which the whole form and its function are considered together) gives an idea of this approach. Another part of the profession, and also some non-architects, responded by going to what they considered the root of the problem. They felt that architecture was not a personal philosophical or aesthetic pursuit by individualists; rather it had to consider everyday needs of people and use technology to give a livable environment. The Design Methodology Movement involving people such as Chris Jones, Christopher Alexander started searching for more people-orientated designs. Extensive studies on areas such as behavioural, environmental, and social sciences were done and started informing the design process. As many other concerns began to be recognised and complexity of buildings began to increase in terms of aspects such as services, architecture started becoming more multi-disciplinary than ever. Architecture now required a team of professionals in its making, an architect being one among the many, sometimes the leader, sometimes not. This is the state of the profession today. However, individuality is still cherished and sought for in the design of buildings seen as cultural symbols - the museum or fine arts centre has become a showcase for new experiments in style: today Deconstructivism, tomorrow maybe something else.

External links

- [http://www.pygmies.info/camps.html African Pygmies Architecture]
- [http://www.aia.org/ American Institute of Architects]
- [http://www.architectsindex.com/ ArchitectsIndex - Directory of UK Architects along with work examples]
- [http://www.architypes.net/ Architypes - Wiki of architecture design principles and patterns]
- [http://www.architecture.com/ Architecture.com - Courtesy of the Royal Institute of British Architects]
- [http://www.archpedia.com/ Archpedia - architecture encyclopedia]
- [http://www.vernarch.com/ Center for vernacular Architecture-Bangalore-India]
- [http://st-takla.org/Gallery/Gallery-Coptic-Orthodox-Architecture-01.html Christian Coptic Orthodox Architecture] at http://St-Takla.org
- [http://www.cupola.com/bldgstr1.htm Cupola - Building and Structure Photo Galleries]
- [http://www.danda.be/ Danda - News and reviews on architecture]
- [http://www.iab.org.br/ Instituto de Arquitetos do Brasil]
- [http://www.islamicarchitecture.org Islamic Architecture]
- [http://www.archinform.net/ Archinform - International Architecture Database]
- [http://architect.architecture.sk Famous architects]
- [http://www.galinsky.com/ Galinsky - People enjoying buildings worldwide]
- [http://www.glasssteelandstone.com/ Global Architecture Encyclopedia - Glass Steel and Stone]
- [http://www.thehopkinscompany.com/glossary/glossary.html Glossary of Architectural Terms]
- [http://www.greatbuildings.com/ Great Buildings Collection]
- [http://www.nyc-architecture.com/ New York architecture images]
- [http://www.riba.org Royal Institute of British Architects]
- [http://www.sah.org/ Society of Architectural Historians]
- [http://www.vitruvio.ch/ Vitruvio]
- [http://worldheritage-forum.net/de/ Worldheritage-Forum: Weblog and Information on UNESCO World Heritage topics] Category:Applied sciences Category:Arts ko:건축 ms:Seni bina ja:建築学 simple:Architecture th:สถาปัตยกรรมศาสตร์

Office

:This article is about traditional meanings of the word office. For computer office applications suites, see List of office suites. :For the television program, see "The Office." An office is a room or other area in which people work, but may also denote a position within an organisation with specific duties attached to it (see officer, office-holder, official); the latter is in fact an earlier usage, office as place originally referring to the location of one's duty. When used as an adjective, the term office may refer to business-related tasks. In legal writing, a company or organization has offices in any place that it has an official presence, even if that presence consists of, for example, a storage silo rather than an office. An office is an architectural and design phenomenon and a social phenomenon, whether it is a tiny office such as a bench in the corner of a "Mom and Pop shop" of extremely small size (see SOHO) through entire floors of buildings up to and including massive buildings dedicated entirely to one company. In modern terms an office usually refers to the location where white-collar workers are employed during the day.
History of offices
white-collar worker
- The very word stems from the Latin officium (see that article), as its equivalents in various (mainly romance) languages. Interestingly, this was not necessarily a place, but rather an -often mobile- 'bureau' in the sense of a human staff or even the abstract notion of a formal position (such as a magistrature). Anyway, Rome can be considered the first society which, mainly because of the rule of law, developed a relatively elaborate bureaucracy, which would not be equaled for centuries in the West after the fall of Rome, even partially reverting to illiteracy, while the east preserved a more sophisticated administrative culture, both under Byzantium and under islam.
- Offices in classical antiquity were often part of a palace complex or a large temple. There was usually a room where scrolls were kept and scribes did their work. Ancient texts mentioning the work of scribes allude to the existence of such "offices". These rooms are sometimes called "libraries" by some archaeologists and the general press because one often associates scrolls with literature. In fact they were true offices since the scrolls were meant for record keeping and other management functions such as treaties and edicts, and not for writing or keeping poetry or other works of fiction.
- The medieval chancery was usually the place where most government letters were written and were laws were copied in the administration of a kingdom. The rooms of the chancery often had walls full of pigeonholes, constructed to hold rolled up pieces of parchment for safekeeping or ready reference (a precursor to the book shelf). The introduction of printing during the Renaissance did not change these early government offices much.
- Pre-industrial illustrations such as paintings or tapestries often show us personalities or eponyms in their private offices, handling record keeping books or writing on scrolls of parchment. All kinds of writings seemed to be mixed in these early forms of offices. Before the invention of the printing press and its distribution there was often a very thin line between a private office and a private library since books were read or written in the same space at the same desk or table, and general accounting and personal or private letters were also done there.
Space arrangement in offices
There are many different ways of arranging the space in an office and whilst these vary according to function, managerial fashions and the culture of specific companies can be even more important. Choices include, how many people will work within the same room. At one extreme, each individual worker will have their own room; at the other extreme a large open plan office can be made up of one main room with tens or hundreds of people working in the same space. Open plan offices which put multiple workers together in the same space and some studies in particular areas have shown that they give short term productivity, for example within a single software project. At the same time the loss of privacy and security can increase the incidence of theft and loss of company secrets. A type of compromise between open plan and individual rooms is provided by the cubicle, possibly made most famous by the Dilbert cartoon series, which solves visual privacy to some extent, but often fails on acoustic separation and security.
Office buildings
While offices can be built in almost any location in almost any building, some modern requirements for offices make this more difficult. These requirements can be both legal (light levels must be sufficient, for example) or technical (requirements for networking). Along side such other requirements such as security and flexibility of layout, this has led to the creation of special buildings which are dedicated only or primarily for use as offices. An office building (also called an office block) is a form of commercial building which contains spaces mainly designed to used for offices. The primary purpose of an office building is to provide a workplace and working environment primarily for administrative and managerial workers. These workers usually occupy set areas within the office building, and usually are provided with desks, PC's and other equipment they may need within these areas. An office building will be divided into sections for different companies or may be dedicated to one company. In either case, each company will typically have a reception area, one or several meeting rooms, singular or open-plan offices, as well as toilets. Many office buildings also have kitchen facilities and a staff room, where workers can have lunch or take a short break.
Standard facilities in modern office buildings

- water
- electricity (distribution through entire office space with many separate points)
- private branch exchange
- optical connections to local telecommunications providers
- parking (often underground under the office)
- structured cabling (category 5 or better) for internal networking and telecommunications
Smoking in office buildings
Gradually, smoking is becoming restricted within large offices and other work spaces in most countries. Sometimes smoking is allowed in this case but is confined to an area clearly defined as a smoking room. Depending on the culture and the business occupying the building, smokers may not be allowed to smoke inside the building at all. In the case of an office buildings this can lead to a large interconnected area where smoking is disallowed. In this case, smokers are forced to either forego smoking during the day or, more commonly, to leave the buildings for short periods of time. Depending on the climate of the surrounding area and the particular weather on that day, this may be an unpleasant experience. In some cases smokers may have some form of shelter outside the building to use when they want a cigarette.
See also

- Factory
- Warehouse
- Business park
- Sick building syndrome
- Office supplies
- Office manager
- Class A office space
References

- Adams, Scott. What do you call a sociopath in a cubicle? : (answer, a coworker) Kansas City, Missouri. : Andrews McMeel Pub., 2002.
- Duffy, Francis. Colin Cave. John Worthington, editors. Planning Office Space. London: The Architectural Press Ltd., 1976.
- Klein, Judy Graf. The Office Book. New York: Facts on File Inc., 1982. Category:Buildings and structures Category:Rooms Category:Office work ja:オフィス

Ancient Rome

Ancient Rome was a civilization that existed in Europe, North Africa, and the Middle East between 753 BC and its downfall in AD 476. For several centuries, the Romans controlled the whole of Western Europe, as well as the entire area surrounding the Mediterranean Sea and some of the area surrounding the Black Sea. Black Sea]]

History

Monarchy

Black Sea The city of Rome grew from settlements on and around the Palatine Hill, approximately eighteen miles from the Tyrrhenian Sea on the river Tiber. At this location the Tiber has an island where the river can be forded. Because of the river and the ford, Rome was at a crossroads of traffic and trade. In Roman legend, Rome was founded on 21 April 753 BC, by Romulus who, along with his brother Remus was suckled by a she-wolf. Romulus killed Remus in a quarrel over where their new city should be located. Romulus, whose name is said to have inspired Rome's name, was the first of seven Kings of Rome, the last of whom, Tarquin the Proud, was deposed in 510 BC or 509 BC when the Roman Republic was established. The mythical or semi-mythical kings are (in chronological order): Romulus, Numa Pompilius (Good King Numa), Tullus Hostilius, Ancus Marcius, Tarquinius Priscus, Servius Tullius, and Tarquinius Superbus (Tarquin the Proud).

Republic

Tarquinius Superbus The Roman Republic was established around 509 BC, according to later writers such as Titus Livius (Livy), when the king was driven out, and a system based on annually elected magistrates was established in the monarchy's place. The most important were the two consuls, who between them exercised executive authority, but had to contend with the Senate, which grew in size and power with the establishment of the Republic. The magistracies were originally restricted to patricians but were later opened to plebeians. The Romans gradually subdued the other peoples on the Italian peninsula, mostly related Italic tribes (of Indo-European stock) such as the Samnites and Sabines, but also the Etruscans. The last threat to Roman hegemony in Italy came when Tarentum, a major Greek colony, enlisted the aid of Pyrrhus of Epirus in 282 BC. The Romans secured their conquests by founding Roman colonies in strategic places. In the second half of the 3rd century BC, Rome clashed with Carthage in the first two Punic wars. These wars resulted in Rome's first overseas conquests, of Sicily and Iberia, and the rise of Rome as a significant imperial power. After defeating Macedon and the Seleucids in the 2nd century BC, the Romans became the undisputed masters of the Mediterranean. Internal strife now became the greatest threat to the Republic. The Senate, jealous of its own power, repeatedly blocked important land reforms. An unintended consequence of Gaius Marius's military reforms was that soldiers often had more loyalty to their commander than to the city, and a powerful general, such as Marius or his rival Lucius Cornelius Sulla, could hold the city and Senate to ransom. In the mid-1st century BC three men, Julius Caesar, Gnaeus Pompeius Magnus, and Marcus Licinius Crassus, formed a secret pact (the First Triumvirate) to control the Republic. After the conquest of Gaul a stand-off between Caesar and the Senate led to civil war, with Pompey leading the Senate's forces. Caesar emerged victorious and was made dictator for life. After Caesar's assassination a Second Triumvirate, consisting of Caesar's designated heir Octavian and his former supporters Mark Antony and Marcus Aemilius Lepidus, took power, but its members soon descended into a struggle for dominance. Lepidus was exiled to Circeii after attempting to coerce the highest position in the government through empty threats against Rome. When Octavian defeated Antony and queen Cleopatra of Egypt at the Battle of Actium in 31 BC he became the undisputed master of Rome. He assumed almost absolute power while retaining the pretence of Republican form of government. His designated successor, Tiberius, took power without bloodshed.

Empire

Tiberius, in AD 14, and in AD 117.]] After the reign of the first emperor, Augustus, the Empire was ruled by his relatives, the Julio-Claudian dynasty until the death of Nero in 69. The territorial expansion of the state continued and the empire remained secure despite some incompetent emperors. Their rule was followed by the Flavian dynasty. During the reign of the Five Good Emperors (AD 96-180) the Empire reached its zenith in terms of territory, economy and culture. The state was secure from both internal and external threats and the Pax Romana created prosperity. With the conquest of Dacia during the reign of Trajan the Empire saw the peak of its territorial expansion, at which point it covered 2.5 million square miles. The period between 180 and 235 was dominated by the rule of the Severan dynasty. The period saw some of the most incompetent rulers in the history of the Empire, Elagabalus being one of the most notorious ones. This and the increasing influence of the army to imperial succession were among the main reasons for a long period known as the Crisis of the 3rd Century. The crisis was ended by the competent rule of Diocletian, who in 293 divided the Empire into four parts ruled by two co-emperors, both aided by a junior emperor. This period is known as the Tetrarchy, and was the basis of the later East-West division of the Empire. The various co-rulers of the Empire competed and fought for supremacy for more than half a century. In 330 emperor Constantine I moved the capital to Byzantium. The empire was permanently divided into Eastern (Byzantine) and Western Empire in 364. The Western Empire was constantly harassed by barbarian invasions. In 410 the city of Rome itself was sacked. In 476 the Germanic chief Odoacer forced the last Roman emperor in the West, Romulus Augustus, to abdicate. Having lasted for approximately 1200 years the rule of Rome in the West came to an end. The Empire survived in the East as the Byzantine Empire.

Causes for the downfall of the Empire

:Main article: Decline of the Roman Empire The study of the Decline of the Roman Empire is a classic field of study in History. There are numerous theories as to the main cause for the decline, many of which are not mutually exclusive.
- According to a classic theory presented by Edward Gibbon in his book "The History of the Decline and Fall of the Roman Empire" (1788), Rome succumbed to barbarian invasions because of a loss of civic virtue among its citizens.
- Henri Pirenne published the "Pirenne Thesis" in the 1920s which holds that the Empire continued, in some form, up until the the Arab conquests, which disrupted trade routes, and thereby the European economy.
- A theory pioneered by Peter Brown maintains that the Empire never "fell", but transformed in a gradual process into medieval Europe.
- Historians such as Arnold J. Toynbee and James Burke argue that the Empire itself was a rotten system from its inception. The Romans had no budgetary system and relied on booty from conquered territories or on a pattern of taxation that bankrupted small-scale farmers. Financial needs continued to increase, but the means of meeting them steadily eroded.
- The historian Vegetius theorised and has recently been supported by Arther Ferrill that the Empire declined and as a result fell, due to a combination of increasing 'barbarization', as well as a surge in decadence and the following lethargy.
- Peter Turchin in War and Peace and War : The Life Cycles of Imperial Nations (2005) contends that empires, including Rome, fell because of inequalities within society resulting a lack of internal cooperation.

Legacy

Rome produced great generals, lawyers, and engineers, but no mathematicians or scientists and few artists of note. The legacy of Rome is primarily in the areas of language, law, warfare, and engineering.

Successor states

After the fall of the city of Rome and the Western Empire the state continued its existence as the Byzantine Empire, which is conventionally treated as a separate entity in history books. In addition, the Holy Roman Empire and Russia have claimed the "Roman" legacy after the fall of Constantinople (See Third Rome).

Military legacy

Before Rome, armies generally fought on the field of battle nature provided. The Romans built roads for troop movement, dug trenches, built seige engines, and introduced many other improvements in the art of war. It made them invincible, for a time. Generals today still study the Roman methods of waging war.

Linguistic legacy

One of the most enduring legacies of Rome is linguistic: Romance languages that evolved from Latin spoken in the Roman Empire are now spoken widely in Europe and Latin America, such as Portuguese, Spanish, French, Italian, Romanian, and Moldovan amongst others. Although English is a Germanic language, many English words derive from Latin roots, either directly from Roman occupation or through intermediary successor languages such as French. Latin remains the official language of the Vatican City and is studied and understood by scholars around the world. However, fluent speech in Latin is very rare in present day. This is mainly due to the differences between Latin's reliance upon inflection of words and modern Romance languages' reliance upon syntax, in addition to lack of use.

Cultural legacy

The art of Rome borrows heavily from Greece -- the Romans themselves looked to the Greeks as their artistic superiors, and stole or copied more than they created. Virgil's Aneid, by common consent the greatest Roman literary work, borrowed or plagarized from Greek epics. Thus most of our cultural legacy from Rome is Greek culture passed on. The only generally recognized original Roman contribution to our culture is comic theater, which has given us not only A Funny Thing Happened on the Way to the Forum but also the Three Stooges. Another Roman artform will be revived only if our extreme sports eventually go so far as to include battles to the death.

Legal legacy

The Roman law formed the basis of most of the legal systems of Europe and her colonies for hundreds of years and has been the direct inspiration for the Senate of the United States and other modern nations. In the Byzantine Empire, the codes of Justinian preserved the codes of Roman law and formed the basis of legal practice in Greece even after the fall of the Byzantine empire. In the West, Justinian’s codes were forgotten, but rediscovered in the 11th century. From that time, scholars began to study the ancient Roman legal texts, especially in Bologna. Many provisions of Roman law were better suited to regulate complex economic transactions than the customary rules of that time. Therefore Roman law began to be re-introduced into legal practice. By the middle of the 16th century, the Roman law dominated the legal practice in most European countries. The practical application of Roman law came to an end when national codifications were made. In the course of the 19th century, many European states either adopted the French civil code model or drafted their own codes. In some parts of Germany, Roman law continued to be applied until late 19th century.

Religion

19th century] Main articles: Roman mythology, Roman religion

Early Roman Religion

Archaic Roman "mythology", at least concerning the gods, was made up not of narratives, but rather of interlocking and complex interrelations between and among gods and humans. Gods were not personified, unlike in Ancient Greece. Romans also believed that every person, place or thing had their own genius (such as "Lares Familiares" - the family guardian spirits). Therefore the early Roman cult could be described as polydaemonism instead of polytheism. The Romans distinguished two classes of gods, the di indigetes and the de novensides or novensiles. The indigetes were the original gods of the Roman state (see List of Di Indigetes). The novensides were later divinities whose cults were introduced to the city in the historical period, usually in response to a specific crisis or need. At the head of the earliest pantheon were the triad Jupiter, Mars, and Quirinus. Their priests, or flamens, were senior to others. Later this triad was supplanted by the Capitoline Triad, Jupiter, Juno, and Minerva. During the Roman republic there was a strict system of priestly offices, of which the Pontifex maximus was the most important. Flamens took care of the cults of various gods, while augurs were trusted with taking the auspices. The rex sacrorum, or "sacrificial king" took on the religious responsibilities of the deposed kings.

Late republic and the empire

As contact with the Greeks increased, the old Roman gods became associated with Greek gods. Therefore Jupiter was perceived to be the same deity as Zeus. Mars was associated with Ares and Neptune with Poseidon. The Roman gods also assumed the attributes and myth of these Greek gods. The transference of the anthropomorphic qualities to Roman Gods, and the prevalence of Greek philosophy among well-educated Romans, brought about an increasing neglect of the old rites, and in the 1st century BC the religious importance of the old priestly offices declined rapidly, though their civic importance and political influence remained. Roman religion in the empire tended more and more to center on the imperial house, and several emperors were deified after their deaths.

Spread of Eastern Religions

Under the empire, numerous foreign cults grew popular, such as the worship of the Egyptian Isis and the Persian Mithras. Also, starting from the second century, Christianity began to spread in the Empire. Despite persecutions, Christianity steadily gained converts. It became an officially supported religion in the Roman state under Constantine I. All cults except Christianity were prohibited in AD 391 by an edict of Emperor Theodosius I.

Society

Classes

The free citizens of Rome were divided into two classes: patricians and plebeians. The patricians were the dominant social class, the plebeians much more numerous. Originally, only patricians could be elected to office. Intermarrying between the classes was forbidden and the patrician title could only be inherited, not earned. During the Roman Republic, a series of struggles led to increased rights for the plebeians, who were represented by tribunes. Tribunes had veto power over acts of the Senate. However, since voting was by tribes rather than by individuals, the vote of a plebeian never counted as much as the vote of a patrician. The patrician tribes voted first, and if they were united could attain a majority vote (by tribe) in which case the plebeian vote was not counted. Late in the Republic, the distinction between patricians and plebeians became less important, due to the rise of citizens whose power depended on wealth rather than family. Crassus, at one time the richest man in Rome, became council in spite of his plebeian birth. A new ruling class, the optimates, were those families, patrician or plebeian, who had produced a consul. The conservatives, led by Cicero, decried the power of the "upstarts" and spoke with contempt of anyone not born into the patrician class. A particular target of their wrath was Pompey, who dispite his great wealth, popularity, and military victories, was mocked for his crude manners and outlandish accent. During the empire, the class division fell into disuse and was largely forgotten. In the early Republic, citizens were also divided into classes according to the armament they could afford to buy for themselves for military service. The richest class was the equestrians or knights, who could afford a war horse. There were both patrician and plebeian equestrians. Later in the Republic, fixed amounts of wealth replaced military equipment as the basis of classification. Higher classes had more political power and prestige than lower classes. This system also lost its meaning after the abolition of the Republic. In the Late Republic, and under the Principate and emperors, Roman society was stratified according to wealth. The highest class was the Senatorial class, membership of which was maintained by the Censors and had a minimum property qualification of 1'000'000 Sesterces. It is worth noting that membership of the Senatorial class did not entail membership of the Senate. Members of the Senatorial class were prohibited from engaging directly in business and trade. They were permitted to receive an income from the possession of large agricultural estates. With a few exceptions, all political posts were filled with men from the Senatorial class. The second tier were the Equites. A through back to a military class of the Early Republic, membership of the Equites later required a property qualification of 400'000 Sesterces. Equites were allowed to engage in commerce and were often extremely wealthy. Petronius satirizes the wealth of the Equites class in the Satyricon. He descibes in details a sumptuous dinner party hosted by the disagreeable Knight Trimalchio. Certain political positions were filled by Equites: most notably under Principes, the head of the Praetorian Guard.

Family

The basic units of Roman society were households and families. Household included the head of the household (paterfamilias), his wife, children, and other relatives. In the upper classes slaves and servants were also part of the household. Romans certainly did not see the family as those of the suburban West do today - their family was more far reaching in definition. The head of the household had great power over those living with him: could force marriage and divorce, sell his children into slavery and possibly even had the right to kill family members (this has been recently disputed in academic circles). This particular manifestation of familial power was called "patria potestas", literally "fathers power". One interesting point of note is that wives did not always count as family, as they could choose to continue recognising their father's family as their true family, and not necessarily adopt their husband's family. Groups of related households formed a family (gens). Families were based on blood ties (or adoption), but were also political and economic alliances. Especially during the Roman Republic some powerful families, or Gentes Maiores came to dominate political life. Ancient Roman marriage was often regarded more as a financial and political alliance than as a romantic association, especially in the upper classes. Fathers usually began seeking husbands for their daughters when they reached an age between twelve and fourteen. The husband was almost always older than the bride. While upper class girls married very young, there is evidence that lower class women often married in their late teens or early twenties.

Economy

Ancient Roman marriage, a standardized silver coin (See also Roman currency).]] The early economy was largely dependent on slave labour, and slaves constituted around 20 percent of the population. A slave’s price was dependent on their skills, and a slave trained in medicine was equivalent to 50 agricultural slaves. In the later period, hired labour became more economical than slave ownership.

Finance

Although barter was common (and often used in tax collection) the monetary system was highly developed, with brass, bronze, and precious metal coins in circulation throughout the empire and beyond (some have been discovered in India). Before the 3rd Century BC, copper was traded by weight (in unmarked lumps) across Central Italy. The original copper coins (As) had a face value of a Roman pound of copper, but weighed less (according to Mommsen early coins weighed at most 312 g, but late second century BC As contained only 19 g of copper). Hence, Roman money's utility as a unit of exchange consistently exceeded its intrinsic value as metal; after Nero began debasing the silver Denarii, Mommsen estimated its legal value at one third greater than intrinsic (it was an offence to refuse payment in Denarii).

Trade

Horses were too expensive, and other pack animals too slow, for mass trade on the roman roads, which connected military posts (rather than markets) and were rarely designed for wheels. Therefore, there was little transport of commodities between Roman regions, until the rise of Roman maritime trade in the second century BC. During that period a trading vessel took less than a month to complete a trip from Gades to Alexandria via Ostia, spanning the entire length of the Mediterranean. The agricultural free trade changed the Italian landscape, and by the first century BC vast grape and olive estates had supplanted the yeoman farmers who were unable to match the imported grain price. The volume of trade was so great that a single mound of cargo pottery vessel fragments is over forty metres high and a kilometre around.

Culture

Literature

Roman literature was from its very inception influenced heavily by Greek authors. Some of the earliest works we possess are of historical epics telling the early military history of Rome. As the republic expanded, authors began to produce poetry, comedy, history and tragedy.

Epic Poetry

Virgil represents the pinnacle of Roman epic poetry. His Aeneid was produced at the request of Maecenas and tells the story of flight of Aeneas from Troy and his settlement of the city that would become Rome. Lucretius, in his On the Nature of Things, attempted to explicate science in an epic poem. Some of his science seems remarkably modern, other ideas, especially his theory of light, are no longer accepted. Later Ovid produced his Metamorphoses, written in hexameter verse, the meter of epic, attempting a complete mythology from the creation of the earth to his own time. He unifies his subject matter through the theme of metamorphosis. It was noted in classical times that Ovid's work lacked the gravitas possessed by traditional epic poetry.

Shorter Poems

Catullus and his set of neoteric poets produced poetry following the Alexandrian model, which experimented with poetic forms challenging tradition. He was also the first Roman poet to produce love poetry, seemingly autobiographical, which depicts an affair with a woman called Lesbia. Under the Emperor Augustus, Horace continued the tradition of shorter poems, with his Odes and Epodes. Martial, writing under the Emperor Domitian, was a famed author of epigrams, poems which were often abusive and censured piblic figures.

Drama

The genre of satire was traditionally regarded as a Roman innovation and satiric plays were written by, among others, Juvenal. Some of the most popular plays of the early Republic were comedies, especially those of Terence, a freed Roman slave captured during the First Punic War.

Letters

A great deal of the literary work produced by Roman authors in the early Republic was political or satirical in nature. The rhetorical works of Cicero, in particular, were popular.

Visual arts

Most of the first styles of Roman painting came from the Etruscan influences. The Etruscan practice of painting for political reasons continued in Rome. In the 3rd century BC as the Romans contact with Greece continued Greek art was taken as booty from wars. The Greek art became popular with the Romans. Many landscapes from Greek artists decorated many of Roman houses. Although Greek influence was popular in Roman Paintings discoveries in Pompeii showed that Romans used a wide variety of styles for thier paintings. One of first roman style was known as "Incrustation", where interior walls of houses were painted like colored marble. Another style was to paint the interiors like open landscapes with higly detailed scenes of plants, animals, and buildings. Although the Romans acquired their artistic traditions from Greece, they also played a very important role in the development of art. The Romans created an atmosphere with an appreciation of the arts that allowed for the continuation of artistic development, inspiration, and ideas. Portrait sculpture during the period depited youthful and classical porportions. Later the sculptures were a mixture of realist and idealist. During the Antonine and Severan periods deeper cuts and drilling creded more ornate hair and beards. Advancements were made in relief sculptures and usually depicted in victories of the Romans.

Education

The goal of education in Rome was to make the students effective speakers. School started on March 24^th each year. Every school day started in early morning and continued throughout the afternoon. Originally, boys were taught to read and write by their father, or by educated slaves, usually of Greek origin. Village schools were also established. Later, around 200 BC, boys and some girls were sent to schools outside the home around age 6. Basic Roman education included reading, writing, and counting, and their materials consisted of scrolls and books. At age 13, students learned about Greek and Roman literature and grammar in school. At age 16, some students went on to rhetoric school. Poorer people did not go to school, but were usually taught by their parents because school was not free.

Architecture and technology

Construction technology and engineering

Roads

rhetoric to the Southern parts of Italy remains usable even today.]] The Romans primarily built roads for military purposes. They allowed the legions to be rapidly deployed in far reaches of the realm. However, their economic importance was also significant. At its largest extent the total length of the Roman road network was 85 000 km (53 000 miles). Way stations providing refreshments were maintained by the goverment at regular intervals along the roads. A separate system of changing stations for official and private couriers was also maintained. This allowed a dispatch to travel a maximum of 800 km (500 miles) in 24 hours by using a relay of horses. The roads were constructed by digging a pit along the length of the intended course, often to bedrock. The pit was first filled with rocks, gravel or sand and then a layer of concrete. Finally they were paved with polygonal rock slabs. Bridges were constructed over waterways. The roads were resistant to floods and other environmental hazards. After the fall of the Roman empire the roads were still usable and used for more than 1000 years.

Aqueducts

bedrock is a Roman aqueduct built in ca. 19 BC. It is one of France's top tourist attractions and a World Heritage Site.]] The Romans constructed numerous aqueducts to supply water to cities and industrial sites. The city of Rome itself was supplied by eleven aqueducts with combined length of 350 km (260 miles). Most aqueducts were constructed below the surface with only small portions above ground supported by arches. The longest Roman aqueduct, 141 km (87 miles) in length, was built to supply the city of Carthage. Roman aqueducts were built to remarkably fine tolerances, and to a technological standard that was not to be equaled until modern times. Powered entirely by gravity, they transported very large amounts of water very efficiently. Sometimes, where depressions deeper than 50 m had to be crossed, inverted siphons were used to force water uphill.

Baths

The baths served hygienic, social and cultural functions. The baths contained three main facilities for bathing. After undressing in the apodyterium or changing room, Romans would proceed to the tepidarium or warm room. In the moderate dry heat of the tepidarium, some performed warm-up exercises and stretched while others oiled themselves or had slaves oil them. The tepidarium’s main purpose was to promote sweating to prepare for the next room, the caldarium or hot room. The caldarium, unlike the tepidarium, was extremely humid and hot. Temperatures in the caldarium could reach 40 degrees Celsius (104 degrees Fahrenheit). Many contained steam baths and a cold-water fountain known as the labrum. The last room was the frigidarium or cold room, which offered a cold bath for cooling off after the caldarium.

Government

Roman Kingdom

Initially Rome was ruled by elected kings. The exact nature of the King's power is uncertain. He may have held near-absolute power, or may also have been just the chief executive of the Senate and the people. At least in military matters, the King's authority (imperium) was probably absolute. He was also the head of the state religion. In addition to the authority of the King, there were three administrative assemblies. The Senate acted as an advisory body for the King. The Curiate Assembly could pass laws suggested by the King and may have provided advise on succession. The Comitia Calata was mainly an assembly of the people to witness certain acts and hear proclamations.

Roman Republic

The class struggles of the Roman Republic resulted in an unusual mixture of democracy and oligarchy. Roman laws traditionally could only be passed by a vote of the Popular assembly. Likewise candidates for public positions had to run for election by the people. The Roman Senate represented an oligarchic insitution, which acted as an advisory body and issued its desicions in Senatus Consulta. The Republic had no fixed bureaucracy and only collected war taxes. Private citizens aspiring to high office largely paid for public works. In order to prevent any citizen gaining too much power, new magistrates were elected annually and had to share power with a colleague. For example, under normal conditions the highest authority was held by two consuls. In an emergency, a temporary dictator could be appointed. During the Republic, the administrative system was revised several times to comply with new demands. In the end, it proved inefficient for controlling the vastly expanded empire. This was one of the reasons for the birth of the Roman Empire.

Roman Empire

Central government

In the early Empire the pretence of a republican form of government was maintained and the emperor was portrayed as only a "first citizen". Initially the Senate retained a degree of influence. However, the rule of the emperors became increasingly autocratic and the Senate was reduced to an advisory body appointed by the emperor. The Roman Empire did not inherit a set bureaucracy from the Republic, since the Republic did not have any permanent governmental structures apart from the Senate. The Emperor appointed assistants and advisors, but the state lacked many institutions, such as centrally planned budget. This is cited by some historians as a significant reason for the Decline of the Roman Empire.

Local government

The territory of the Empire was divided into provinces. The number of provinces increased with time as new territories were conquered, but also as provinces were divided into smaller units to discourage rebellions by powerful local rulers . Initially the provinces were divided into imperial and senatorial provinces, depending on which institution had the right to select the governor. During the Tetrarchy, the provinces of the empire were divided into 12 dioceses, each headed by a praetor vicarius. The civilian and military authority were separated, with civilian matters still administred by the governor, but with military command transferred to a dux.

Senate

The Roman Senate was an advisory body consisting of some of the most influential citizens. In the Roman Republic, it held great authority (auctoritas in Latin), but no actual legislative power (imperium). However, as the senators were individually very influential, it was difficult to accomplish anything against the collective will of the Senate. In the Roman Republic the Censors chose new members for the Senate among the most accomplished citizens. They could also remove a senator from his office if he was found morally corrupt. Later, membership in the Senate followed from the election as a quaestor. In the Roman Empire, the Emperor appointed senators, although for much of the time of the Empire, elections were still held, and the results followed. However, this veil of democracy, created by Augustus at the beginning of the transformation from Republic to Empire, was deceiving. In reality, no one disliked by the Emperor could stand. Furthermore, when there was a competitive election, the Emperor would issue his opinion on who should be elected, usually sealing the outcome.

Military

The early Roman army was, like those of other contemporary city-states, a citizen force where the bulk of the troops fought as hoplites. The soldiers were required to supply their own arms and would return to civilian life once their service was ended. The first of the great army reformers, Camillus, reorganized the army to adopt manipular tactics and divided the infantry into three lines: hastati, principes and triarii. The middle class smallholders had traditionally been the backbone of the Roman army but, by the end of the 2nd century BC, the self-owning farmer had largely disappeared as a social class. Faced with acute manpower problems, Gaius Marius transformed the army into a fully professional force and accepted recruits from the lower classes. The last army reorganization came when Emperor Constantine I divided the army into a static defense force and a mobile field army. During the Late Empire, Rome also became increasingly dependent upon allied contingents, foederati.

External links

- [http://www.crystalinks.com/rome.html Ancient Rome info]
- [http://www.exovedate.com/ancient_timeline_one.html Ancient Roman History Timeline]
- [http://www.historylink101.com/ancient_rome.htm Ancient Rome pictures, art, and info] Link: [http://www.forumromanum.org/life/johnston_intro.html The Private Life of the Romans by Harold Whetstone Johnston]

References

Ancient sources

# "Vitae Caesarum" by Suetonius, 2nd century # "Ab urbe condita" by Titus Livius, ca. AD 5 # [http://www.uvm.edu/~rrodgers/Frontinus.html "De Aquaeductu Urbis Romae"] by Sextus Julius Frontinus (On the water management of the city of Rome, translated by R. H. Rodgers, 2003, University of Vermont) (retrieved November 22, 2005)

Pre-20th century sources

# "The History of the Decline and Fall of the Roman Empire" by Edward Gibbon, 1788

Modern sources

# "The Penguin Historical Atlas of Ancient Rome" by Chris Scarre, Penguin Books 1995 # [http://www.forumromanum.org/life/johnston_intro.html "The Private Life of the Romans"] by Harold Whetstone Johnston, 1903 (retrieved November 13, 2005) # "The Punic Wars" by Nigel Bagnall, Thomas Dunne Books 1990 # "Rooman konsulit" ("The Consuls of Rome") by Pekka Tuomisto, Karisto 2002 # "War and Peace and War : The Life Cycles of Imperial Nations" by Peter Turchin, Pearson Education/PI Press (2005) # "Cäsar" by Christian Meier, Severin und Siedler 1982 (English translation "Caesar", HarperCollins Publishers 1995) # [http://www.waterhistory.org/histories/rome/ "Waterhistory.org"], website maintained by the ([http://www.iwha.net International Water History Association]) (retrieved November 22, 2005)
- ja:古代ローマ

Courtyard

, Bavaria]] A court or courtyard is an enclosed area, often a space enclosed by a building that is open to the sky. These areas in inns and public buildings were often the primary meeting places for some purposes, leading to the other meanings of court.

Historic use of courtyards

Courtyards—private open spaces surrounded by walls or buildings—have been in use in residential architecture for almost as long as man has lived in constructed dwellings. The earliest known courtyard houses were built in India and China and date as far back as 3000 BC. Courtyards have historically been used for many purposes including cooking, sleeping, working, playing, gardening, and even places to keep animals. Before courtyards, open fires were kept burning in a central place within a home, with only a small hole in the ceiling overhead to allow smoke to escape. Over time, these small openings were enlarged and eventually led to the development of the centralized open courtyard we know today. Courtyard homes have been designed and built throughout the world with many variations in every century. Courtyard homes are perhaps more prevalent in temperate climates, as an open central court can be an important aid to cooling house in warm weather. However, courtyard houses have been found in harsher climates as well for centuries. The comforts offered by a courtyard—air, light, privacy, security, and tranquility—are properties nearly universally desired in human housing.

Comparison of courtyard houses throughout the world

Ur, 2000 BC — two-story houses constructed around an open square were built of fired brick. Kitchen, working, and public spaces were located on the ground floor, with private rooms located upstairs. The central uncovered area in a Roman domus was referred to as an atrium. Today, we generally use the term courtyard to refer to such an area, reserving the word atrium to describe a glass-covered courtyard. Roman atrium houses were built side by side along the street. They were one-story homes without windows that took in light from the entrance and from the center atrium. The hearth, which used to inhabit the center of the home, was relocated, and the Roman atrium most often contained a central pool used to collect rainwater, called an impluvium. These homes frequently incorporated a second open-air area, the garden, which would be surrounded by Greek-style colonnades, forming a peristyle. This created a colonnaded walkway around the perimeter of the courtyard, which influenced monastic structures centuries later. Courtyard houses in the Middle East reflect the nomadic influences of the region. Instead of officially designating rooms for cooking, sleeping, etc., these activities were relocated throughout the year as appropriate to accommodate the changes in temperature and the location of the sun. Often the flat rooftops of these structures were used for sleeping in warm weather. In some Islamic cultures, private courtyards provide the only outdoor space for women to relax unobserved. The traditional Chinese courtyard house is an arrangement of several individual houses around a square. Each house belongs to a different family member, and additional houses are created behind this arrangement to accommodate additional family members as needed. The Chinese courtyard is a place of privacy and tranquility, almost always incorporating a garden and water feature. In some cases, houses are constructed with multiple courtyards that increase in privacy as they recede from the street. Strangers would be received in the outermost courtyard, with the innermost ones being reserved for close friends and family members. The medieval European farmhouse embodies what we think of today as one of the most archetypal examples of a courtyard house—four buildings arranged around a square courtyard with a steep roof covered by thatch. The central courtyard was used for working, gathering, and sometimes keeping small livestock. An elevated walkway frequently ran around two or three sides of the courtyards in the houses.

Relevance to the architecture of today

More and more, architects are investigating ways that courtyards can play a role in the development of today's homes and cities. In densely populated areas, a courtyard in a home can provide privacy for a family, a break from the frantic pace of everyday life, and a safe place for children to play. With space at a premium, architects are experimenting with courtyards as a way to provide outdoor space for small communities of people at a time. A courtyard surrounded by 12 houses, for example, would provide a shared park-like space for those families, who could take pride in ownership of the space. Though this might sound like a modern-day solution to an inner city problem, the grouping of houses around a shared courtyard was common practice among the Incas as far back as the 13th century BC. In San Francisco, the floor plans of "marina style" houses often include a central patio, a miniature version of an open courtyard, sometimes covered with glass or a translucent material. Central patios provide natural light to common areas and space for potted outdoor plants.

Examples of courtyards

- Trinity Great Court, in Trinity College, Cambridge

References

- Atrium: Five Thousand Years of Open Courtyards, by Werner Blaser 1985, Wepf & Co.
- Atrium Buildings: Development and Design, by Richard Saxon 1983, The Architectural Press, London
- A History of Architecture, by Spiro Kostof 1995, The Oxford Press Category:Home Category:Architectural elements

Category:Rooms

This is a category of different types of rooms. Category:Buildings and structures ja:Category:部屋

B.H. Crusell

Bernhard Henrik Crusell (1775-1838) was a Finnish-born composer and clarinet player, who moved to Sweden in his late teens. Crusell, Bernhard Henrik Crusell, Bernhard Henrik

Baby names bielizna erotyczna media jastrz�bia g�ra keno

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